Psychology Analysis

To first view LUIS ALBERTO MARTINEZ IBAGUE 2010 to first view the relationship between the sensory and motor system consists in that as perceived through the organs of the senses is a process of gathering of information, processing these data body allows you to run motor actions, this is specified in the film at first sight when the protagonist through senses such as hearing and touch can mobilize without suffering No stumbling block, an example of this is when the bus arrives to collect it, the perfectly knows what his bus by the characteristic sound that presents, can also coordinate movements when getting into this without suffering any fall, at first sight seemed that you were watching what he was doing. The perception of color and experience (memory color), depends on the wavelengths that are present in the atmosphere which are picked up by the rods and cones, since canes in low-light environments are used to perceive in black and white, While cones are used in color vision and lots of lighting spaces, once despues de que es is collecting information through the cones or sticks, it is the experience which would indicate the person who according to the context in which found objects and environments seen at first sight will be the same color as the first time that were perceived; in the film the protagonist could recognize an Apple because this era of red color, but initially didn’t differentiate between the drawing of an Apple and an Apple as such, but for the were the same because both were red. Further details can be found at Drew Houston, an internet resource. In the perception of shape the film shows that the protagonist, since it does not have a record or experience of the shape and size of things (as shown in the scene of the taxi in motion) fails to differentiate or descrinar relationship distancia-fondo; another scene where the individual sees a can of soda and does not know what it is until touches it, this is another example of how the relationship between concept and various form in the absence of the sense Visual, it becomes apparent that to determine the shape of an object it is necessary to possess the sense of sight. .

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