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We will analyze, in the present work, the workmanship Rockets of king (or the war) of the group Twine of the Magic Fire. The pernambucano group presented this poetry in palco of Stadium of the Maracan, during the ceremony of opening of XV the Games Pan-Americans River 2007, with the thematic one of the energy of the man, the diversity and the Brazilian cultural plurality by means of manifestations of traditional dances of some regions, as reisado and maracatu. We choose the poetry presented for portraying of discerning and musical form the Brazilian reality and the present religious mixture in our brasilidade. The union of the poetry with the rhythms of African origin, created for the Twine of the Magic Fire, placed the Twine Literature in a position of cultural prominence, valuing the traditions and the culture of a people, root of the only genuinely Brazilian literature, standing out the importance of this analysis and this group in the national cultural context. The history of the Twine of the Magic Fire Initially, Twine of the Magic Fire was a spectacle that made much success in Arcoverde/PE, where music occupied the space of linking with the poetry. To the lyricism of the compositions it was added rhythmic and meldica force of tambores of cult-African, to the Brazilian musicalidade, projecting the poetical texts to the cultural spheres and the great circuit of shows and entertainment, according to Wikipedia. The name of the band, according to Clayton Adobe, one of its integrant ones, originates from the fusing of the terms Twine, synonymous of history in the region of Pernambuco, verbal literature and writing; the Fire, that is the more representative natural element of our existence, of the Fogueiras of Is Joo, of the sun and the burnt land; the Magic one that the apocalyptic and predictive vision of the mysteries between the sky and the land would stand out.