Tuesday, a supposed group of Anonymous revealed his intentions to mount a great attack against Faceboook next the 5 of November. Now, it has denied it to Anonymous through Twitter, although they admit that they lead this action can be member of the group independent. It follows ' ' in the social networks: Facebook, Twitter and Tuenti. The hacktivista group Anonymous denied in Twitter to be behind the supposed threat against Facebook that circulates around Internet, although yes admitted that lead who it they can be member of the group which they act of independent way. The past Tuesday, identified internauts as she leaves from Anonymous raised a video the Youtube platform where they declared his intentions of " to kill to Facebook by the good of its own privacidad" and he insisted to other hacktivistas to be united to the cause. Under the account of Twitter OpFacebook, and shining a transformation (profile image) with the symbol of Anonymous, they threaten boycotting the social network Facebook next the 5 of November. Nevertheless, other members of the group denied through the same network that all supported it attacks. " We are not after the Facebook Operation.
It is not our style to kill mensajero" , it says one of " tweets" that they deny the participation of Anonymous. " Sabu" , the presumed leader of this computer science sabotage group, continued the thread of Twitter and asked to the means that became echo of which they are not behind this boycott against the social network of Mark Zuckerberg. Apparently, Anonymous must count on internal dissensions and although its name does not support the possible threat against Facebook, this does not guarantee that hackers that they are after her they cannot carry out it. Source of the news: Anonymous denies to plan an attack against Facebook
Sada did not stop until it left with hers: to make champion to the Regal Barcelona. Their persistence, their success, their intelligence, their effectiveness, gave brightness to the title of an equipment that managed to shape in the field its theoretics and recognized superiority before a Bizkaia Bilbao that was not inferior of its paper of flexible equipment, very able of the most unsuspected feat, as it before demonstrated to weeks against the Power Valencia and Madrid. It could not with the Bara, not even was able to offer a title to its priceless liking, but it did not move backwards in its persistence and it demanded very many a rival of great packing. Perhaps it was not to the maximum. Perhaps it needed the demolishing success of previous parties. But, besides his own errors, it had of weighing very many the tremendous exigency that, as well, raised the Bara to him, whose merit, beyond the talent of its stars, rested on in seriousness and the perfeccionismo with which the battle was taken. Thanks to it ahead removed a party that was crossed to him in several occasions and thanks to it time can raise the title by 16, after it not to have reached the season last, but after to have adjudged in present the eight parties that disputed in the eliminatory ones by him before the Unicaja, the Labor Box and the Bizkaia Bilbao.
The Helmut Foundation Newton of Berlin sets out for the first time 300 instantaneous images of the photographer of the sensuality. It used them in publishing houses fashionable by the urgency to know the result. A book with a selection compiled by the widow of Newton is also published. When in 1992 he published the book Pola Woman, Helmut photographer Newton (1920-2004), that already was a world-wide openwork eminence, was criticized because the images, when being Polaroid snapshots, did not have the finished habitual technician in their work, were not sufficiently perfect. ” That is what it makes exciting, spontaneity, the speed ” , it responded.
The intimate relation of Newton with the Polaroid film of immediate developing returns to be clear in the exhibition of 300 unpublished photos, used by like bosquejos or previous for some of the hundreds of publishing houses fashionable, sensual and erotic notes, that laid the foundations the fame of the retratista. Helmut Newton Polaroids is in poster in soothes central of the Helmut Foundation Newton in Berlin (Germany). In parallel to the sample multinlnge is published in version the book of the same title (Taschen). To know ‘ beforehand; look’ of the photo From the Seventies Newton it used with assiduity the Polaroid film. In some occasion it adduced that the instantaneous photos satisfied their urgency to know the results, look of the situations, without having to happen before through the laboratory. They were as the book of bocetos of the photographer to try if its idea were attainable, besides allowing him to verify the illumination and the composition.
Many of the Polaroid presented/displayed in Berlin, selected and compiled by the widow of the artist, have in wild notes written by hand raised by Newton in the same moment in which the photo was revealed. Been born in Berlin, although resident throughout their life in Singapore, Australia, London, Paris, Monte Carlo and Los Angeles (where she died after an automobile accident), Newton was one of the favorite photographers of several of international editions of Rows. Also it worked for Elle, Marie Claire, Playboy, Vanity Fair and Stern. It published numerous books and it established a style, very imitation, based on the anatomical voyeurismo and bodegones, where the feminine bodies appeared equipped with a dominant and illuminated presence with as cold perfection as germanic.